Collection of the author
Ask most Americans what the Statue of Liberty means and they’ll say the same thing: she welcomes immigrants. She is the “Mother of Exiles,” keeper of the golden door. That image is so deeply woven into the national identity that it has been quoted, protested, and debated for more than a century. The only problem is that it wasn’t what her creators originally intended.
The story begins in 1865, just weeks after the Civil War ended, at a dinner party near Versailles. The host was Édouard de Laboulaye, a French historian and president of the French Anti-Slavery Society. Laboulaye was one of France’s most passionate admirers of American democracy and was deeply moved by both Lincoln’s assassination and the abolition of slavery. He proposed that France present the United States with a colossal monument — one that would celebrate two things at once: the centennial of American independence and the end of slavery.
Sculptor Frédéric-Auguste Bartholdi was at that dinner and took the idea and ran with it. Early models from around 1870 show Lady Liberty with her right arm raised — familiar enough — but in her left hand she holds broken shackles, not a tablet. The anti-slavery message was unmistakable.
That symbolism didn’t entirely disappear from the final design — it just got moved. According to the National Park Service, Bartholdi placed a broken chain and shackle at the statue’s feet, hidden beneath the copper drapery. Most visitors never notice it. The left hand now holds a tablet inscribed with the date of the Declaration of Independence.
Why the change? NYU historian Edward Berenson points to the political climate of the 1880s. By the time the statue was dedicated in October 1886 — more than 20 years after Laboulaye’s dinner — Reconstruction had collapsed, Jim Crow was spreading, and the country was trying to paper over sectional wounds by quietly forgetting the war’s racial roots. Nobody at the dedication mentioned slavery. The abolitionist origins were simply buried.
The statue was formally named Liberty Enlightening the World and the message broadened toward Franco-American friendship and American liberty in general rather than emancipation specifically.
Then came Emma Lazarus, and the second transformation. In 1883, a fundraiser struggling to pay for the statue’s pedestal asked prominent writers to donate works for an auction. Lazarus, a Jewish-American poet, initially declined as she was then deeply involved in aiding Jewish refugees fleeing wide-spread and organized violence in Russia. A friend persuaded her that the statue, sitting at the entrance to New York Harbor, would inevitably be seen as a beacon by arriving immigrants. She wrote “The New Colossus” — fourteen lines that reimagined Lady Liberty entirely, as a “Mother of Exiles” beckoning the world’s tired and poor to America’s golden door.
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
Strangely, the poem then vanished. It played no role at the statue’s 1886 dedication. Lazarus died in 1887, before Ellis Island even opened. It wasn’t until 1903 that a friend had the entire poem cast onto a bronze plaque that was mounted inside the pedestal——not engraved on the outside as many believe. By then, millions of immigrants had already sailed past the statue on their way to Ellis Island, and the association with immigration had taken hold in the public imagination.
The immigration meaning deepened through the early 20th century as the government used the statue’s image in campaigns to assimilate immigrant children, many of whom lived in ethnic enclaves in large eastern cities. Meanwhile, the abolitionist symbolism that had inspired the project in the first place faded almost entirely from public memory.
The broken shackles are still there, tucked under her robe, mostly invisible. Lady Liberty has been continuously reinterpreted for 160 years — by abolitionists, by a poet responding to a refugee crisis, by politicians, and by millions of people who looked up at that torch from the deck of a ship. Will Lady Liberty and her words continue to offer welcome and hope and be a source of national pride or is her meaning once again being rewritten as a symbol of American identity, dominance, and, perhaps, exclusion?
The Statue’s shackles and feet. National Park Service, Statue of Liberty NM, Public Domain
Sources
National Park Service – Statue of Liberty history: https://www.nps.gov/stli/learn/historyculture/statue-of-liberty.htm Library of Congress – Dedication and speeches: https://www.loc.gov/item/ihas.200197394/ Cleveland, Grover. Dedication Address (1886): https://www.nps.gov/stli/learn/historyculture/cleveland.htm Smithsonian Magazine – History of the Statue of Liberty: https://www.smithsonianmag.com/history/statue-liberty-180970340/
Lady Liberty: The Statue We Think We Know
By John Turley
On April 14, 2026
In Commentary, History, Politics
Collection of the author
Ask most Americans what the Statue of Liberty means and they’ll say the same thing: she welcomes immigrants. She is the “Mother of Exiles,” keeper of the golden door. That image is so deeply woven into the national identity that it has been quoted, protested, and debated for more than a century. The only problem is that it wasn’t what her creators originally intended.
The story begins in 1865, just weeks after the Civil War ended, at a dinner party near Versailles. The host was Édouard de Laboulaye, a French historian and president of the French Anti-Slavery Society. Laboulaye was one of France’s most passionate admirers of American democracy and was deeply moved by both Lincoln’s assassination and the abolition of slavery. He proposed that France present the United States with a colossal monument — one that would celebrate two things at once: the centennial of American independence and the end of slavery.
Sculptor Frédéric-Auguste Bartholdi was at that dinner and took the idea and ran with it. Early models from around 1870 show Lady Liberty with her right arm raised — familiar enough — but in her left hand she holds broken shackles, not a tablet. The anti-slavery message was unmistakable.
That symbolism didn’t entirely disappear from the final design — it just got moved. According to the National Park Service, Bartholdi placed a broken chain and shackle at the statue’s feet, hidden beneath the copper drapery. Most visitors never notice it. The left hand now holds a tablet inscribed with the date of the Declaration of Independence.
Why the change? NYU historian Edward Berenson points to the political climate of the 1880s. By the time the statue was dedicated in October 1886 — more than 20 years after Laboulaye’s dinner — Reconstruction had collapsed, Jim Crow was spreading, and the country was trying to paper over sectional wounds by quietly forgetting the war’s racial roots. Nobody at the dedication mentioned slavery. The abolitionist origins were simply buried.
The statue was formally named Liberty Enlightening the World and the message broadened toward Franco-American friendship and American liberty in general rather than emancipation specifically.
Then came Emma Lazarus, and the second transformation. In 1883, a fundraiser struggling to pay for the statue’s pedestal asked prominent writers to donate works for an auction. Lazarus, a Jewish-American poet, initially declined as she was then deeply involved in aiding Jewish refugees fleeing wide-spread and organized violence in Russia. A friend persuaded her that the statue, sitting at the entrance to New York Harbor, would inevitably be seen as a beacon by arriving immigrants. She wrote “The New Colossus” — fourteen lines that reimagined Lady Liberty entirely, as a “Mother of Exiles” beckoning the world’s tired and poor to America’s golden door.
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
Strangely, the poem then vanished. It played no role at the statue’s 1886 dedication. Lazarus died in 1887, before Ellis Island even opened. It wasn’t until 1903 that a friend had the entire poem cast onto a bronze plaque that was mounted inside the pedestal——not engraved on the outside as many believe. By then, millions of immigrants had already sailed past the statue on their way to Ellis Island, and the association with immigration had taken hold in the public imagination.
The immigration meaning deepened through the early 20th century as the government used the statue’s image in campaigns to assimilate immigrant children, many of whom lived in ethnic enclaves in large eastern cities. Meanwhile, the abolitionist symbolism that had inspired the project in the first place faded almost entirely from public memory.
The broken shackles are still there, tucked under her robe, mostly invisible. Lady Liberty has been continuously reinterpreted for 160 years — by abolitionists, by a poet responding to a refugee crisis, by politicians, and by millions of people who looked up at that torch from the deck of a ship. Will Lady Liberty and her words continue to offer welcome and hope and be a source of national pride or is her meaning once again being rewritten as a symbol of American identity, dominance, and, perhaps, exclusion?
The Statue’s shackles and feet. National Park Service, Statue of Liberty NM, Public Domain
Sources
National Park Service – Statue of Liberty history: https://www.nps.gov/stli/learn/historyculture/statue-of-liberty.htm Library of Congress – Dedication and speeches: https://www.loc.gov/item/ihas.200197394/ Cleveland, Grover. Dedication Address (1886): https://www.nps.gov/stli/learn/historyculture/cleveland.htm Smithsonian Magazine – History of the Statue of Liberty: https://www.smithsonianmag.com/history/statue-liberty-180970340/