
On a steamy June day in 1777, the Continental Congress took a brief break from the monumental task of running a revolution to deal with something that seems surprisingly simple in retrospect: what should the American flag look like? The resolution they passed on June 14th was refreshingly concise, stating that “the flag of the United States be thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new constellation.”
That poetic phrase about a “new constellation” turned out to be both inspiring and maddeningly vague. Congress didn’t specify how the stars should be arranged, how many points they should have, or even whether the flag should start with a red or white stripe at the top. This ambiguity led to one of the interesting aspects of early American flag history—for decades, no two flags looked exactly alike.
The 1777 resolution came out of Congress’s Marine Committee business, and at least some historians caution that it may have been understood initially as a naval ensign, not a fully standardized “national flag for all uses.”
A Constellation of Designs
The lack of official guidance meant that flag makers exercised considerable artistic freedom. Smithsonian researcher Grace Rogers Cooper found at least 17 different examples of 13-star flags dating from 1779 to around 1796, and flag expert Jeff Bridgman has documented 32 different star arrangements from the era. Some makers arranged the stars in neat rows, others formed them into a single large star, and still others created elaborate patterns that spelled out “U.S.” or formed other symbolic shapes. An official star pattern would not be specified until 1912 and versions of the 13-star flag remained in ceremonial use until the mid-1800s.
The most famous arrangement, of course, is the Betsy Ross design with its circle of 13 stars. What many people don’t realize is that experts date the earliest known example of this circular pattern to 1792—in a painting by John Trumbull, not on an actual flag from 1776.
Did the Continental Army Actually Use This Flag?
Here’s where things get interesting and a bit murky. The short answer is: not much, and not right away. The Continental Army had been fighting for over two years before Congress even adopted the Stars and Stripes, and by that point, individual regiments had already developed their own distinctive colors and banners. These regimental flags served practical military purposes—they helped units identify each other in the chaos of battle and gave soldiers something to rally around. Additionally, the Continental Army frequently used the Grand Union Flag (13 stripes with a British Union in the canton), which predates the 13-star design.

What’s more revealing is a series of letters from 1779—two full years after the Flag Resolution—between George Washington and Richard Peters, Secretary of the Board of War. In these letters, Peters is essentially asking Washington what flag he wants the army to use. This correspondence raises an obvious question: if Congress had settled the flag issue in 1777, why was Washington still trying to figure it out in 1779? The evidence suggests that variations of the 13-star flag were primarily used by the Navy in those early years, while the Army continued to use various regimental standards.
Navy Captain John Manley expressed this confusion perfectly when he wrote in 1779 that the United States “had no national colors” and that each ship simply flew whatever flag the captain preferred. Even as late as 1779, the War Board hadn’t settled on a standard design for the Army. When they finally wrote to Washington for his input, they proposed a flag that included a serpent and numbers representing different states—a design that never caught on.
National “stars and stripes” banners did exist during the late war years and appear in some period art and descriptions, but clear, securely dated 13‑star Army battle flags are rare and often disputed.13‑star flags are better documented in early federal service such as maritime and lighthouse use in the 1790s than they are in Continental Army field service before 1783.
The Betsy Ross Question
Now we come to one of America’s most enduring flag legend. The story is familiar to most Americans: in 1776, George Washington, Robert Morris, and George Ross visited Philadelphia upholsterer Betsy Ross and asked her to sew the first American flag. She suggested changing the six-pointed stars to five-pointed ones, demonstrated her one-snip technique for making a perfect five-pointed star, and she then produced the first Stars and Stripes.
It’s a great story. There’s just one problem: historians have found virtually no documentary evidence to support it. The tale didn’t surface publicly until 1870—nearly a century after the supposed event—when Betsy Ross’s grandson, William Canby, presented it in a speech to the Historical Society of Pennsylvania. Canby relied entirely on family oral history, including affidavits from Ross’s daughter, granddaughter, and other relatives who claimed they had heard Betsy tell the story herself. But Canby himself admitted that his search through official records revealed nothing to corroborate the account.
Historians don’t dispute that Betsy Ross was a real person who did real work. Documentary evidence shows that on May 29, 1777, the Pennsylvania State Navy Board paid her a substantial sum for “making ships colours.” She ran a successful upholstery business and continued making flags for the government for more than 50 years. But as historian Marla Miller puts it, “The flag, like the Revolution it represents, was the work of many hands.” Modern scholars generally view the question not as whether Ross designed the flag—she almost certainly didn’t—but whether she may have been among the many people who produced early flags.
Who Really Designed It?
If not Betsy Ross, then who? The strongest candidate is Francis Hopkinson, the New Jersey delegate to the Continental Congress who also helped design the Great Seal of the United States and early American currency. In 1780, Hopkinson sent Congress a bill requesting payment for his design work, specifically mentioning “the flag of the United States of America.” He likely designed a flag with the stars arranged in rows rather than circles, and his bills for payment submitted to Congress mentioned six-pointed stars rather than the five-pointed ones that became standard.
Unfortunately for Hopkinson, Congress refused to pay him, arguing that he wasn’t the only person on the Navy Committee and therefore shouldn’t receive singular credit or compensation.
The irony is rich: Hopkinson was asking for a quarter cask of wine or £2,700 for designing what would become one of the world’s most recognizable symbols. Congress essentially told him, “Thanks, but we’re not paying.” There’s a lesson about government contracts in there somewhere.
What Survived
Of the hundreds of flags made and carried during the Revolutionary War, only about 30 are known to survive today. These rare artifacts offer fascinating glimpses into how Americans visualized their new nation. The Museum of the American Revolution brought together 17 of these original flags in a 2025 exhibition—the largest gathering of such flags since 1783.
The most significant surviving 13-star flag is probably Washington’s Headquarters Standard, a small blue silk flag measuring about two feet by three feet. It features 13 white, six-pointed stars on a blue field and descended through George Washington’s family with the tradition that it marked the General’s presence on the battlefield throughout the war. Experts consider it the earliest surviving 13-star American flag. Due to light damage, it can only be displayed on special occasions.

Other surviving flags tell different stories. The Brandywine Flag, used at the September 1777 battle of the same name, is one of the earliest stars and stripes—the flag is red, with a red and white American flag image in the canton.

The Dansey Flag, captured from the Delaware militia by a British soldier, was taken to England as a war trophy and remained in his family until 1927. The flag features a green field with 13 alternating red and white stripes in the upper left corner signifying the 13 colonies.

These and other flags weren’t just military equipment—they were powerful symbols that people fought under and, sometimes, died defending.
The Bigger Picture
What makes the story of the 13-star flag so compelling isn’t really about who sewed it or exactly when it first flew. It’s about what the flag represented in an era when the very concept of the United States was still being invented. The June 1777 resolution called for stars forming “a new constellation”—a beautiful metaphor for a new nation finding its place among the powers of the world.
The fact that no two early flags looked exactly alike might seem like a problem from our standardized modern perspective, but it tells us something important about the Revolution itself. Just as the colonies were learning to act as united states while maintaining their individual identities, flag makers across the new nation were interpreting a simple congressional resolution in their own ways, creating variations on a shared theme.
As historian Laurel Thatcher Ulrich points out, there was no “first flag” worth arguing over. The American flag evolved organically, shaped by the practical needs of the Navy, the Army, militias, and civilian flag makers who each contributed to its development. Whether Betsy Ross made one of those early flags or not, her story endures because it captures something Americans want to believe about our origins: that ordinary citizens, working in small shops and homes, helped create the symbols of the new republic.
Sources:
History.com: https://www.history.com/this-day-in-history/june-14/congress-adopts-the-stars-and-stripes
Flags of the World: https://www.crwflags.com/fotw/flags/us-1777.html
Wikipedia Flag of the United States: https://en.wikipedia.org/wiki/Flag_of_the_United_States
Museum of the American Revolution: https://www.amrevmuseum.org/
American Battlefield Trust: https://www.battlefields.org/learn/articles/short-history-united-states-flag
US History (Betsy Ross): https://www.ushistory.org/betsy/
Library of Congress “Today in History”: https://www.loc.gov/item/today-in-history/june-14/
Flag images from Wikimedia Commons






















The Strange Tale of Spontaneous Human Combustion
By John Turley
On January 19, 2026
In Commentary, History
Did you ever run into an idea so strange that you can’t quite understand how anyone ever took it seriously? Recently, while reading about historical curiosities in Pseudoscience by Kang and Pederson, I was reminded of one of the most enduring examples: spontaneous human combustion.
The classic image is always the same. Someone enters a room and finds a small pile of ashes where a person once sat. The body is nearly destroyed, yet the chair beneath it is barely scorched and the rest of the room looks strangely untouched. For centuries, this baffling scene was explained by a dramatic idea—that a person could suddenly burst into flames from the inside, without any external fire at all.
It sounds like something lifted straight from a gothic novel, but belief in spontaneous human combustion stretches back to at least the seventeenth century and reached its peak in the Victorian era. To understand why it gained such traction, it helps to look at the social attitudes of the time, the cases that convinced people it was real, and what modern forensic science eventually uncovered.
Much of the early belief rested on moral judgment rather than evidence. In the nineteenth century, spontaneous human combustion was widely accepted as a kind of divine punishment. Many of the alleged victims were described as heavy drinkers, often elderly, overweight, or socially isolated, and women were frequently overrepresented in the reports. To Victorian minds, this pattern felt meaningful. Alcohol was flammable, after all, and it seemed reasonable—at least then—to assume that a body saturated with spirits might somehow ignite. Sensational newspaper reporting amplified the mystery, presenting lurid details while glossing over inconvenient facts.
The idea gained intellectual credibility in 1746 when Paul Rolli, a Fellow of the Royal Society, formally used the term “spontaneous human combustion” while describing the death of Countess Cornelia Zangari Bandi. The involvement of a respected scientific figure gave the concept legitimacy that lingered for generations.
Several cases became canonical. Countess Bandi’s death in 1731 was described as leaving little more than ashes and partially intact legs, still clothed in stockings. In 1966, John Irving Bentley of Pennsylvania was found almost completely burned except for one leg, with his pipe discovered intact nearby. Mary Reeser, known as the “Cinder Woman,” died in Florida in 1951, leaving behind melted fat embedded in the rug near where she had been sitting. As recently as 2010, an Irish coroner ruled that spontaneous human combustion caused the death of Michael Faherty, whose body was found badly burned near a fireplace in a room that showed little fire damage. Over roughly three centuries, about two hundred such cases have been cited worldwide.
Believers proposed explanations that ranged from the scientific-sounding to the overtly theological. Alcoholism was the most popular theory, with some physicians genuinely arguing that chronic drinking made the human body combustible. Earlier medical thinking leaned on imbalances of bodily humors, while later writers speculated about unknown chemical reactions producing internal heat. Religious interpretations framed these deaths as punishment for sin. Even in modern times, a few proponents have suggested that acetone buildup in people with alcoholism, diabetes, or extreme diets could somehow trigger combustion.
The idea was so culturally embedded that Charles Dickens famously killed off the alcoholic character Mr. Krook by spontaneous combustion in Bleak House. When critics objected, Dickens defended the plot choice by citing what he believed were credible historical and medical sources.
The illusion of the supernatural persisted because the circumstances were almost perfectly misleading. Victims were typically alone, elderly, or physically impaired, unable to respond quickly to a smoldering fire. The localized damage looked impossible to the untrained eye. Potential ignition sources were often destroyed in the fire itself. And dramatic storytelling filled in the gaps left by incomplete investigations.
What actually happens in these cases is far less mystical and far more unsettling. Modern forensic science points to an explanation known as the “wick effect.” In this scenario, there is always an external ignition source—often a cigarette, candle, lamp, or fireplace ember. Once clothing catches fire, heat melts the person’s body fat. That liquefied fat soaks into the clothing, which then behaves like a candle wick. The fire burns slowly and steadily, sometimes for hours, consuming much of the body while leaving nearby objects relatively unscathed.
This effect has been demonstrated experimentally. In the 1960s, researchers at Leeds University showed that cloth soaked in human fat could sustain a slow burn for extended periods once ignited. In 1998, forensic scientist John de Haan famously replicated the effect for the BBC by burning a pig carcass wrapped in a blanket. The result closely matched classic spontaneous combustion scenes: severe destruction of the body, with extremities left behind and limited damage to the surrounding room.
The reason these fires don’t usually engulf the entire space is simple physics. Flames rise more easily than they spread sideways, and the heat output of a wick-effect fire is relatively localized. It’s similar to standing near a campfire—you can be close without catching fire yourself.
Investigators Joe Nickell and John F. Fischer examined dozens of historical cases and found that every one involved a plausible ignition source, details that earlier accounts often ignored or downplayed. When these factors are restored to the narrative, the mystery largely disappears.
As science writer Benjamin Radford has pointed out, if spontaneous human combustion were truly spontaneous, we would expect it to occur randomly and frequently, in public places as well as private ones. Instead, it consistently appears in situations involving isolation and an external heat source.
The bottom line is straightforward. There is no credible scientific evidence that humans can burst into flames without an external ignition source. What has been labeled spontaneous human combustion is better understood as a tragic combination of accidental fire and the wick effect. The myth endured because it blended moral judgment, fear, and incomplete science into a compelling story. Today, forensic investigation has replaced superstition with explanation, even if the results remain unsettling.
Spontaneous human combustion survives as a reminder of how easily mystery fills the space where evidence is thin—and how patiently applied science eventually closes that gap.
Sources and Further Reading
Peer-reviewed forensic and medical analyses are available through the National Center for Biotechnology Information, including “So-called Spontaneous Human Combustion” in the Journal of Forensic Sciences (https://pubmed.ncbi.nlm.nih.gov/21392004/) and Koljonen and Kluger’s 2012 review, “Spontaneous human combustion in the light of the 21st century,” published in the Journal of Burn Care & Research (https://pubmed.ncbi.nlm.nih.gov/22269823/).
General scientific and historical overviews can be found in Encyclopædia Britannica’s article “Is Spontaneous Human Combustion Real?” (https://www.britannica.com/story/is-spontaneous-human-combustion-real), Scientific American’s discussion of the wick effect (https://www.scientificamerican.com/blog/cocktail-party-physics/burn-baby-burn-understanding-the-wick-effect/), and Live Science’s summary of facts and theories (https://www.livescience.com/42080-spontaneous-human-combustion.html).
Accessible explanatory pieces are also available from HowStuffWorks (https://science.howstuffworks.com/science-vs-myth/unexplained-phenomena/shc.htm), History.com (https://www.history.com/articles/is-spontaneous-human-combustion-real), Mental Floss (https://www.mentalfloss.com/article/22236/quick-7-seven-cases-spontaneous-human-combustion), and All That’s Interesting (https://allthatsinteresting.com/spontaneous-human-combustion). Wikipedia’s entries on spontaneous human combustion and the wick effect provide comprehensive background and references at https://en.wikipedia.org/wiki/Spontaneous_human_combustion and https://en.wikipedia.org/wiki/Wick_effect.